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Fujifilm X-Pro3 Review : Gets 85% Overall Score

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Here is the latest in-depth review of the Fujifilkm X-Pro3 mirrorless camera. According to the test results the new Fujifilm X-Pro3 mirrorless camera gets an impressive 85% overall score and Silver Award from the experts at DPReview.

Fujifilm X-Pro3 is a unique mirrorless camera with a hybrid viewfinder and LCD that is only viewable when flipped down. The camera has a 26MP APS-C X-Trans CMOS sensor, the same as on the X-T3, along with a hybrid autofocus system.

The LCD flips down by up to 180 degrees and has a resolution of 1.62 million-dots. The camera offers two new Film Simulation modes: Classic Neg. and Monochromatic color. It can capture 4K video at up to 30p, with a max bit rate of 200Mbps. Check out the Fujifilm X-Pro3 sample images !

Join the Fujifilm X-Pro 3 Camera Users Facebook Group to share your Fujifilm photography

Fujifilm X-Pro3 body (Black): $1,799 at Amazon, B&H, Adorama.

Fujifilm X-Pro3 body (Dura Black): $1,999 at Amazon, B&H, Adorama.

Fujifilm X-Pro3 body (Dura Silver): $1,999 at Amazon, B&H, Adorama.

Conclusion from DPReview:

The X-Pro3 is a unique mirrorless camera, and will appeal to those who want a waist-level screen or an optical viewfinder experience. It’ll be a camera you either covet or don’t see the value of, but that polarization is the X-Pro 3’s defining characteristic, and some photographers will find it very compelling.

Good for
Street and enthusiast photographers looking for something a bit different.

Not so good for
Sports or zoom-lens shooters. Photographers looking for a do-everything workhorse.

What we like:

  • Excellent image quality
  • Range of attractive film/color modes
  • Optical viewfinder gives interesting experience
  • Electronic viewfinder further boosts flexibility
  • Flip-down screen excellent for waist-level shooting
  • Attractive, detailed 4K video
  • USB charging is useful
  • Faux film stock sub monitor is undeniably cool

What we don’t like:

  • Optical finder doesn’t work as well with wide or long lenses as predecessor
  • Obscured rear screen limits some styles of shooting
  • AF point indication in OVF makes near-to-far parallax shift unpredictable
  • Some lenses (particularly the F1.4s) aren’t especially fast to focus, undermining the the immediacy of street shooting
  • Face/Eye detection mode a little prone to false-positives and requires input if your subject temporarily turns away
  • ISO dial is more decorative than utilitarian

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