Fujifilm has just officially announced the new FUJIFILM GFX ETERNA 55 Cinema Camera and Fujinon GF 32-90mm T3.5 PZ OIS WR lens. After nearly a year of anticipation, FUJIFILM has officially lifted the curtain on its most ambitious video-focused system yet: the GFX ETERNA 55 8K Cinema Camera and the companion 32-90mm T3.5 Power Zoom Lens. This unveiling marks a historic moment for FUJIFILM, as the company expands from its renowned stills heritage into the world of dedicated filmmaking with a purpose-built cinema camera.
Fujifilm GFX ETERNA 55 Cinema Camera at B&H, Adorama.
Fujinon GF 32-90mm T3.5 PZ OIS WR Lens at B&H, Adorama.
At the heart of the ETERNA 55 lies a large-format 102MP CMOS II HS sensor, measuring an impressive 43.8 x 32.9mm, combined with the X-Processor 5. Together, these deliver ultra-high-resolution capture in formats ranging from GF Open Gate 4K to 8K DCI across GF, Premista, 35mm, anamorphic, and Super35 options. Add in FUJIFILM’s celebrated Film Simulation modes, advanced recording codecs, and robust connectivity, and the GFX ETERNA 55 positions itself as a serious competitor in high-end cinema production.
Paired with the camera is the newly introduced GF 32-90mm T3.5 Power Zoom, a versatile, large-format lens optimized for cinematic storytelling. Designed for both cine-style rigs and run-and-gun setups, it combines constant aperture optics, built-in servo motors, and weather resistance into a professional yet flexible package.
Large-Format Sensor and Recording Formats
The GFX ETERNA 55 is built around FUJIFILM’s 102MP CMOS II HS sensor, inherited from the GFX100 II but re-engineered for motion capture. Its native 4:3 Open Gate mode is particularly noteworthy, offering a digital imaging area 1.75x larger than Super 35mm film. This provides filmmakers with the creative flexibility to reframe in post or take full advantage of anamorphic glass.
Supported capture formats include:
- GF 4K 4:3 Open Gate at up to 48p
- GF 8K DCI and Premista 8K DCI
- 35mm 8K DCI
- Anamorphic 2x Squeeze 8K
- Super35 6.3K
While 8K formats max out at 24–30p, most modes scale down to DCI 4K at up to 60p, and FHD recording supports 120p for slow-motion.
This versatility allows cinematographers to adapt the ETERNA 55 to virtually any lens ecosystem, thanks to its native G-mount and bundled ARRI PL-mount adapter.
Professional Codecs and Workflow Integration
The ETERNA 55 supports a professional range of codecs to accommodate various workflows:
- Apple ProRes 422 HQ/422/LT
- H.265 (HEVC) 4:2:2 10-bit
- H.264
- ProRes Proxy options
Audio is handled via linear PCM 24-bit stereo, while video output options include HDMI 4:2:2 10-bit uncompressed or 12-bit RAW with compatible external recorders. Although internal RAW would have been a welcome addition, FUJIFILM’s ProRes options will be more than adequate for most productions.
Cloud-based workflows are also supported, with Adobe Frame.io Camera to Cloud integration, ensuring instant collaboration on-set or remotely.
FUJIFILM’s Signature Film Simulations
As expected, FUJIFILM brings its celebrated Film Simulations into the ETERNA 55, with 20 modes at launch. These include classics like PROVIA, Velvia, ASTIA, Classic Chrome, REALA ACE, ACROS, Classic Neg., Nostalgic Neg., and multiple ETERNA variants.
While these are baked into footage during recording, filmmakers can also load up to 16 custom 3D LUTs, with FUJIFILM developing new LUTs specifically for F-Log2 workflows. This opens the door to both stylized looks on set and maximum flexibility in post-production.
Advanced Camera Features
Variable ND and Optical Low-Pass Filter
For professional cinematographers, exposure and image control are critical. The ETERNA 55 incorporates a built-in variable ND filter (ND0.6–ND2.1) adjustable in seamless increments, allowing precise exposure adjustments without altering depth of field. Additionally, a new optical low-pass filter (OLPF) helps reduce moiré and aliasing—particularly useful when shooting with LED wall backgrounds in virtual production environments.
Monitoring and Framing
The camera offers both dual built-in 3” touchscreens for operator and assistant control, and a detachable 5” 2000-nit monitor for daylight visibility. Filmmakers also gain customizable frame guides across multiple aspect ratios, line thicknesses, and colors—ideal for projects destined for multiple platforms or delivery formats.
Connectivity and Power
The ETERNA 55 is fully equipped with SDI, HDMI, USB-C, Ethernet, genlock, mic, and headphone ports, each protected with durable caps. It runs on NP-W235 batteries but also supports external DC input with hot-swapping capability. Storage is handled via a CFexpress Type B slot for high-bitrate capture, complemented by an SD card slot for proxies.
The GF 32-90mm T3.5 Power Zoom Lens
A camera of this caliber demands an equally capable lens, and FUJIFILM has answered with the GF 32-90mm T3.5 PZ OIS WR. Designed specifically for large-format sensors, this cinema zoom covers a 35mm equivalent focal range of 25-71mm, making it versatile for everything from narrative filmmaking to documentary work.
Key Features of the Lens:
- Constant T3.5 aperture throughout the zoom range
- Built-in servo motors for autofocus, auto iris, and power zoom
- 0.8 MOD cine-style gearing for focus, iris, and zoom rings
- 13-blade rounded aperture for cinematic bokeh
- Aspherical and ED glass elements for reduced chromatic aberration
- Optical image stabilization (OIS) for handheld shooting
- Weather-resistant design, built for professional environments
What makes this lens especially compelling is its dual nature: it offers cine-style precision while also including run-and-gun conveniences like a zoom rocker, auto functions, and internal stabilization. This flexibility should appeal to productions ranging from feature films to documentary crews working in fast-paced environments.
Bridging FUJIFILM’s Heritage and the Future of Cinema
The GFX ETERNA 55 is more than just a camera—it represents FUJIFILM’s ambition to carve a space in the high-end cinema market. By adapting the GFX system’s large-format photography sensor for moving images, FUJIFILM combines decades of film heritage with modern digital workflows.
Its support for multiple formats, extensive codec options, cinema-grade accessories, and Film Simulations make it a flexible tool for filmmakers who demand both technical precision and creative expression. Meanwhile, the 32-90mm T3.5 PZ lens demonstrates FUJIFILM’s commitment to providing purpose-built optics tailored for cinema applications.
Conclusion
FUJIFILM’s official unveiling of the GFX ETERNA 55 8K Cinema Camera and GF 32-90mm T3.5 Power Zoom Lens marks a turning point for the company and an exciting moment for filmmakers. Offering a large-format sensor, professional codecs, Film Simulations, variable ND, robust I/O, and a purpose-built zoom lens, this system is designed to meet the demands of modern production while retaining FUJIFILM’s unmistakable cinematic identity.
Whether for narrative cinema, commercials, or cutting-edge virtual production, the ETERNA 55 is poised to become a compelling choice for directors, cinematographers, and production houses seeking a fusion of artistry and technical power.
